My husband and I took a trip to Tofino, British Columbia this spring, and I’m looking forward to making several paintings from the trip. We both grew up in different areas of Vancouver island, and I have painted many scenes from this beautiful place. This trip, we went kayaking around Meares Island, hiked in Pacific Rim National Park, and did a lot of walking around Chesterman Beach.
I’m starting with this scene of Chesterman Beach, which I have painted before from a different angle. We stayed at the beautiful Wickanninish Inn, which you can see off in the distance on the right.
I started with my usual masking tape horizon, and started painting in the wet sand with Micaceous Iron Oxide:
I decided to enhance all the colors and go for an interesting sky, which I’ll probably still experiment with as the foreground takes shape. For the sky so far, I used mostly Smalt Hue and a bit of Anthraquinone Blue, mixed with Titanium White and Titan Buff.
I removed the masking tape and started painting the land on the right:
Then I painted in the rest of the land, and added the surf area in bright white:
At this point, the painting is still in progress. I’m not happy with the colors of the sky and water yet, but the shape is coming together and I’ll add some transparent layers until I get it where I want.
Here it is in gif format:
This is one of my night sky paintings:
Haven, 16″ x 20″ acrylic on canvas, copyright © Kathryn Beals
I like lighthouses, although I wasn’t thinking of any particular place when I painted this. I wanted the painting to be mostly about the beauty of the sky, overwhelming the tiny symbol on the horizon, a theme I’ve been working with in many forms. This painting features a lot of Smalt Hue, one of Golden’s historic colors.
Smalt Hue is a modern synthetic approximation of the blue color that was once made from ground cobalt glass in 16th and 17th century paintings in place of Ultramarine or Cobalt blue, which were made from crushed precious stones and very costly to use. Blue is a rarity in Renaissance paintings due to cost of the pigments. The method of making blue paint from cobalt glass was much less expensive, but the colors faded over time.
Working with modern paints, I don’t have to think much about the relative cost of the colors on my palette (although some still cost more than others) or worry about the lightfastness. I still discovered Smalt Hue as a beginner artist because it was relatively inexpensive (as a Series 1 color, it costs roughly half as much as Cobalt Blue, which is Series 8) and I fell in love with the slightly purplish shade for skies. As you can see from the swatch on the tube, it’s very transparent and easy to layer.
The other main colors are Paynes Gray and Dioxazine Purple, with some Titan Buff in there for the moon:
You can buy this image as a photo print or canvas print through my Etsy store. The original is not for sale.
This is a painting I did several years ago after a trip to Bella Coola, north of where I grew up on the coast of British Columbia:
Bella Coola Lupines, 16″x 20″ acrylic on canvas, copyright © Kathryn Beals
This is one of those paintings that just came together quickly without any planning. I painted it on my mom’s kitchen table with her paints and brushes and a borrowed canvas, and it took about 45 minutes. If I were painting it again, I might have planned the composition a little better so that the end of the tallest flower had more contrast against the sky or mountains, but I like the unstructured quality of it and it’s a nice memory.
Here are two photos from the place we visited:
You can find this painting in my Etsy shop as a digital print or canvas print. The original painting is not for sale.