This is one of my night sky paintings:
Haven, 16″ x 20″ acrylic on canvas, copyright © Kathryn Beals
I like lighthouses, although I wasn’t thinking of any particular place when I painted this. I wanted the painting to be mostly about the beauty of the sky, overwhelming the tiny symbol on the horizon, a theme I’ve been working with in many forms. This painting features a lot of Smalt Hue, one of Golden’s historic colors.
Smalt Hue is a modern synthetic approximation of the blue color that was once made from ground cobalt glass in 16th and 17th century paintings in place of Ultramarine or Cobalt blue, which were made from crushed precious stones and very costly to use. Blue is a rarity in Renaissance paintings due to cost of the pigments. The method of making blue paint from cobalt glass was much less expensive, but the colors faded over time.
Working with modern paints, I don’t have to think much about the relative cost of the colors on my palette (although some still cost more than others) or worry about the lightfastness. I still discovered Smalt Hue as a beginner artist because it was relatively inexpensive (as a Series 1 color, it costs roughly half as much as Cobalt Blue, which is Series 8) and I fell in love with the slightly purplish shade for skies. As you can see from the swatch on the tube, it’s very transparent and easy to layer.
The other main colors are Paynes Gray and Dioxazine Purple, with some Titan Buff in there for the moon:
You can buy this image as a photo print or canvas print through my Etsy store. The original is not for sale.
A few years ago I was asked to create a piece on the Nativity story, so I painted this scene:
Light in the Desert, 20″x 24″ acrylic on canvas, copyright © Kathryn Beals
I wanted to create something peaceful but mysterious, with a dark sky. I decided to keep the composition very simple and limit the palette to mostly blues and purples, to make the focal star more striking.
As my style developed as an artist, it kind of split into two styles; abstract/surreal and more realistic landscapes. The more realistic landscapes tell a story or recall a certain place, the surreal ones are more emotional and abstract. I love hearing others’ impressions of these pieces, and I’ve found that viewers interpret the surreal landscapes in very different ways.
For me, this painting shows a vast desert – sand dunes in the foreground, the star in the sky – and has a dark but hopeful feeling. Other people have told me that this painting is the moon over huge ocean waves, and it has kind of a scary but captivating feel. Others have said it is snow-covered mountains, cold and stark. I like that these images can be different things to different people.
This painting is available in my Etsy store as a photo print or canvas print. The original is not for sale. Happy holidays! I’ll be back to posting in the New Year.
This is a painting I did several years ago after a trip to Bella Coola, north of where I grew up on the coast of British Columbia:
Bella Coola Lupines, 16″x 20″ acrylic on canvas, copyright © Kathryn Beals
This is one of those paintings that just came together quickly without any planning. I painted it on my mom’s kitchen table with her paints and brushes and a borrowed canvas, and it took about 45 minutes. If I were painting it again, I might have planned the composition a little better so that the end of the tallest flower had more contrast against the sky or mountains, but I like the unstructured quality of it and it’s a nice memory.
Here are two photos from the place we visited:
You can find this painting in my Etsy shop as a digital print or canvas print. The original painting is not for sale.
I’m working on a painting of Haystack Rock in Cannon Beach, Oregon. It’s not quite finished yet, but I put together these images into a gif so you can watch the process of using masking tape to make a crisp horizon line.
If the gif isn’t working, here are the step-by-step images below:
This is a painting I did of a scene in Ruckle Park on Salt Spring Island, British Columbia. My husband and I camped in the park and watched the sun rise over the ocean.
Good Morning, 24″x 30″ acrylic on canvas, copyright © 2007 Kathryn Beals